our japanese dear friend hidenobu ito is definitely overwhelming and it seems almost comically out of place. from alien hydraulics to percussive steel fractals he allows to take shape within the realm of impossibility. so, what follows next on numbolic records is a stunning lesson in subtle buildup of sound design. theres a feeling of constant movement and shaky energy that means his music never quite stands still. highly resonant and rapidly-panning drum hits act like flickering fluorescent lights. the result is a heavily abstracted layering and perhaps our most sonically release to date. every sound, no matter how tiny, is endlessly tweaked and picked apart. the 12 inch ep is rounded off with 2 prickly re-interpretations. dualism turns up the fog with a super-deep captivating and yet lovingly version. while ditch comes up with a characteristic throbbing dirty techno rework. another 4 smashing tracks by hidenobu ito are added digitally as well as two bonus remixes. kai provides a dance floor-approved version and the hungarian newcomer as we said made a cartoon spaceship to the moon. big pulsating bass kicks will drive you in that particular head-space, but before accidentally killing someone in love, we suggest go get this record instead and start dance! be numbolic!

excellent deep house album !!

summer, sun and ping! for 8 weeks, it has not rained, a constant 30 degrees day and night and again this track. in this year s summer ping! (leutral rec.) offers a small soft organs house number. la bella bella is the name of the track and promises not only a beautiful woman with an elegant swing of the hips on the dance floor. jamy wing (sonido / einmaleins / finebeatz) shakes the appropriate remix-cocktail with sun-ripened fruits from percussions and matching reduction.

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

with its corroded, live recorded sound and relentless machinedrum, le coq is a trip to the shadowy, not to say drunk side of dance music. as an acid statement this track is right on the money without ever submitting to any ground rules of vintage acid. truly envelope-pushing electronic wizardry with a dark edge. stripped down to a bare minimum, the flip side hollywood goblin evokes the linear pulse of early body music, while the lead synthesizer adds a touch of cabaret voltairesque arpeggio magic. universal rejection was established in stockholm, sweden in 2011. the label is the collective effort of a closed circle of friends sharing the vision of a parallel universe trough raw, down to the core electronic dancemusic. every new release is a code. it represents a piece of what universal rejection is, and proves that the label will be in constant flux while at the same time always remaining true to itself.

from now on, the duo’s ascent was constant and then lightning struck: remixes for n.e.r.d, britney spears, franz ferdinand, u2, daft punk, lenny kravitz and an ep in 2006 (” waters of nazareth “) defining the “justice sound, this famous ultra-powerful compression of pop and baroque melodies, both dark and threatening, lightning and animative, and above all the famous justice image, the cross from which an earlier version figures on the first ep. 2007 was the explosion that will turn the duo into the emblem of a whole generation: their first album “†, anticipated like the messiah, holds all the promises, and swept everything away as an epic soundtrack. “†” is more than a magnificent synthesis of our time: its potential definition. 800 000 sales worldwide and 4 years later, the album is considered as a mainstay of the 2000s puzzled and tonic, one of the few who bridged the gap from pitchfork world to mtv without losing its credibility. ++etched vinyl + 90 cm x 60 cm poster (500 are signed by the band !!!)++

ernie unveils his special blend of timeless cuts exclusively on >black noise ep<.
>burning detroit< is a voyage into the abyss through a constant stream of warm pads layered with crafty percussion whereas ordell reworks >burning detroit< into a lighter afrobeat groove.
>la posse< is a fusion of underlying analogue bass stabs with raw machine drums and >terra nostra< concludes the release as a darkroom bonus cut – rolling deep into the early hours.

his debut four track ep highlights his individual approach to song writing with the gorgeous, deep and moody >i am machinery<, a fitting title for a track where the human voice integrates seamlessly into the analogue electronics of the machines. >pointers’ changes the mood and aims at the dancefloor, with strings and synths fully indebted to detroit techno, but with a constant human touch from his jazzy scat cutting in and out of the heavy groove. >some days< has the biggest sound on the ep with multiple vocal tracks layering over the crisp drums and pulsating synths. hes combined his keen ear for melody and a firm grasp of the dancefloor for this track, making it many djs favourite on the ep due to a club friendly structure, yet striking originality. >set myself on fire< closes the ep at a mellow tempo, and can easily hypnotise the listener with its repetitive vocals, haunting whistles and sleazy beats. this is only for the beginning for debukas, these four tracks are just an introduction to one of the finest talents from the uk electronic underground

danish duo laid back made a most surprising comeback to the clubs in 2010 with >cocaine cool<. not that they had ever been really forgotten: their electro pop classic >white horse< remained a sure shot in clubs for the thirty years after its release 30 years back and a constant inspiration to boatload of diverse artists from techno to hip-hop. >cocaine cool< was recorded at the same session but the ironic vocals ridiculing label executives blowing up their frail ego with the chemical substance were deemed to risquee at that time, so the recording collected dust in some box until last year. bostons >soul clap< another duo hailed as one of the hotest things in clubland known for their eclectic funk-rooted taste. they opt for a cool sparser arrangement leaving out the “white horse -like chords. a loose, dry electro funk beat, hpynotic one-note synth, few dub effects and additional vocoder vocals do the trick bravorously. besides an instrumental version theres also a harder jacking dub take sounding like early chicago house edits. and while the boys are add it they also re-edited another huge one from laid back: >baker man< that managed the unlikely balancing act of not only hitting it bigtime in the charts but also in the emerging balearic scene. this 12 inch is cool in every which way!

the definitive soulful house track of 2010, crazy by black coffee featuring thiwe, reaches the final stage in its constant evolution, progression and reinterpretation within the house world. crazy, which topped the traxsource singles charts for 2010, received the accolades and praise of the house world’,s most revered names for its unadulterated and soulful passion. black coffee, the master behind crazy, is the most notable name in south african house music, and is one of the most imperative and admired names within the house world. recently completing a 60 hour charitable dj set, and a with constant culturally minded output, black coffee’,s fiercely passionate and ambitious musical ethos is venerated worldwide.

we are pleased to announce that one of our favourite producers justus köhncke has finally given in to the constant barrage of requests to work with us. yes, welcome to the rank of nang cosmonauts justus. he has kindly agreed to work on a new artist album for us for release in late 2011 / 2012 but in the time being we just had to pop the mans cherry and get some köhncke-tunage released on nang.
first up is an ep of two brand new compositions. fussmachine and renewal. we have also included a remix and wrapped it all into the fussmachine ep.

10 inch candy coloured vinyl. hand stamped & numbered in the cottage (350 run) cut@loud no mp3/ digital – heavy duty clear poly sleeve. mudkid is franklin de costa – support from luke solomon & ewan pearson
mudkid always holds the fort when it comes to large girthed funk jams. loik comes with a toe curling array of mechanical energy and stomping house plushness, all the while acting as a constant foray into your subconscious dealings.

dedicated to provide the scene with a constant flow of amazing new content, this sampler celebrates the 10th anniversary of third movement records! no less than four new exclusive songs providing the perfect mixture of the harder styles that ttm represents. the ep reflects the unique ttm style and is sure to be receiving high recognition! be sure not to miss out on this unique release!

nphonix is celebrated as a paragon of stylistic diversity, constant progression and engineering craftsmanship amongst producers and listeners alike, with a sound and discography spanning everything from drum n bass to hard techno. his latest release on the prestigious lost soul imprint is no exception to this standard. the a-side,>third eye<, descends like the bellow of some unfathomable machine coming to life, as frenetic techno stabs ride a ferocious shockwave of bass driven by bristling percussion. the flip, >false flag> beckons with signature lushness and beautiful harmonies before propelling the listener back into a maelstrom of speaker destroying furor, with a stunning second drop sure to blow minds and rattle ribcages. both pieces are tied together with the gritty yet crystalline production quality fans have come to expect from this stalwart innovator. this record is a testament to an artists uncompromising vision and a labels reputation for impeccable taste.

danish producer martinez rarely fails to surprise club music lovers with his versatile views on techno and house. his very special enthusiasm enables him to seize new musical territory with every release. with his debut record on cadenza, his house sound develops another depth, a more general view of the ever evolving tension between life and music. the mzuzu ep is all about bass. the bass is all around, the bass gushes into every corner of the club, it pervades concrete and iron. while the low frequencies deal ruthlessly with architecture, they are kind to us humans. the basslines put the dancers in a conforting state of hypnosis which might be an unconscious reminder of the long gone time when one still rested in ones mothers womb. it arouses the memory of a state when one is completely merged with the surroundings. martinez reorganises the structure of house music: the lashing grooves cease to be the center of the tracks. martinez moves the heartbeat of the music from the beats to the bass. its firmness releases the other elements of the tracks, creating a free-spirited feeling. freed from their regular task the grooves are enabled to be rough and open. instead of trying to control the crowd, they ravish us with their liberating energy. the tracks rarely need anything else. the icing on the cake consists in tiny vocal samples. creating an irritating athmosphere, they put us in a state of constant curiosity. disolving completely into the flow of the tracks, the human voices become pure sound. >mzuzu chant< & >adagio< are for the beautiful moments when the dancing crowd detaches itself from time and space

with vernissage one on trapez ltd amir kicks off a beat which could have been written by herbert. as amir says himself his beats are ongoing a constant change, nothing stays the same. >cadaques< indeed highlights a spiritual quality that is expressed by ethno sounds, constantly shifting dynamics and a feeling for deepness

here comes the third ep from fluxion on echocord. >waves ep< contains 2 original tracks from his cd-album >perfused< and remixes by rod modell from detroit of the tracks >waves< and >influction<.

luca agnelli is a dj in constant evolution, that has done of variety of styles his trademark, experimenting uncommon paths and inventing innovative languages.
he has done remixes for claude von stroke, flat pack, meg and others, he has realized ep for some of the most representative international labels like mbf, dirty bird, laterra, manocalda, takt, mazoom.
now, a new experience, his own label, etruria beat records, a name that emphasizes his vocation to be connected with his land, a style, and at same time, unmistakably italian, but with a global vision. house, deep and techno that intersect, maintaining in the centre of his creative universe the concept of emotion.
as he says, >i love the music that sounds warmer and deeper, that has a soul.<
first release is all by his own work: >7 o clock< remixed by very prestigious international producers like lee van dowski (cadenza) and dj w!ld (catwash).

mb elektronics is still one of the leading techno labels. marco proves again he s still on point with this excellent compilation, featuring tracks by joseph capriati, wehbba, loco & jam and marco bailey & tom hades!

ilija rudman shouldnt need an introduction as for the last few years he has been releasing a constant stream of dance music under different guises. an analogue and vinyl purist his productions are always to the highest standard and electric minds is pleased to be working with the croatian producer once again. ilija delivers two bumper tracks for the a side of this release, most definitely a nod to the 80s boogie sound with both productions thumping with bass throughout. for the b side we welcome michael j collins who recently released his ep through electric minds alongside ly sander. since working with electric minds, michael has been extremely busy remixing for the likes of swayzak, moodymanc as well as releasing an ep for hypercolour and working on many more releases for several berlin based labels. michael brings his signature 4/4 house beats to the remix, a raw dubby and psychedelic house take on the original. all in all a great package that is sure to appeal to house and disco heads alike.

emptiness isnt a quality you normally associate with electronic dance music. from the crowd on the associate with electronic dance music. from the crowd on the dancefloor to the weight of the bass, its all about fullness, volume, density. reboot turns that opposition on its head with his debut album, shunyata. the title comes from buddhism and translates loosely as >emptiness.< but not just in the negative sense: it speaks also to impermanence, a state of constant flux. its a great description of reboots music, where everything is in constant and kaleidoscopic motion. and its also a fitting metaphor for the life of the frankfurt-based musician, aka frank heinrich. in just three years, since his first eps under the reboot moniker appeared on cadenza and below, hes become one of electronic musics hottest properties, releasing not only a slew of singles for labels like cocoon, love letters from oslo, ricardo villalobos >sei es drum< and underground cult fave motivbank, but also a pair of high-profile mix cds for cocoon and cécille

nice price deal !!! this is dasein, the opening potion of milyoos (aka tommy wilson) debut ep and the second release on subeenas new opit records. dasein attempts to grapple with existence, temporality and substance and what could be a more perfect description of these warped sonics- perpetual motion purely of the moment. multitude makes you feel like a tourist at an off-world bazaar, a strange landscape with a slug-bass bubble undercarriage and inquisitive wide-eyed synths. fayoh leads in with in a harold budd doing house piano before being pounced on by clipped vocal tics and odd blocks of cubist sound all underpinned by a funky beat and quite frankly its gorgeous. if there is a strand of coherence across the ep then its an almost exotic one- these are curiosities, virtual ships in bottles, they are not narrative pieces even if they are in constant motion. only two releases in and opit records is clearly going to avoid easy categorisation- milyoos debut is something to get mighty excited about and i await further transmissions with baited breath...

first single taken from the forthcoming technasia album, >central<, with a two-tracker in the purest technasia style. on the a, >esperance< is a funky number in constant motion, with huge chord progression, while on the b, the gritty street-level techno of >innocuous clouds< doesnt forget that dance music rightfully belongs on the dancefloor. all in all an ep sure to become a cherished tool for djs across the house and techno spectrum.

new black acre special armed response unit returns with a party rocker celebrating an era the artist is too young remember and the a&r was too high to remember.
pumpin like reeboks: an adrenaline soaked dose of pure nosebleed speed garage rave crossbred with dubsteps bassonics and 90s b-boy swagger. raffertie hits his stride with his most accessible & anthemic work to date. pounding 4x4 kicks bounce off cylon bass cannon blasts and crashing 808 claps battle rave sirens for dominance of the air space. clipped vocal edits and pinpricks of distorted noise are littered though out this blood pressure raising carnival ride as a constant reminder that this is party music with intellect.

adult only presents their last series of remixes originally from the catwash album, to be released at the beginning of 2010. a1 : the full side is an energetic remix of >groovabilisme< by dutch producer kabale und liebe (100 % pure, area remote). he displays his hypnotic groove in this bouncy track b1 : >lost in bucarest< remix by william kouam djoko (thirty one twenty) , who released a track on tobi neumann & onur ozers mix green & blue 2009 (cocoon) and boris werner (area remote, moon harbor). here is a sunny and tribal remix made by two of the newest talents from amsterdam. b2 > lost in bucarest< national jacking remix by phil weeks, the boss of french label robsoul. constant pressure and slightly euphoric feeling on this techy track.

since his last release on circus company (fleurette ccs033), djulz add been quite busy in the sutdio. he did a lot of remixes for slam on soma, matthew dear on get physical, 2000 & one on 100%, arnaud le texier on 20:20 vision and spencer parker on rekids. hes now back with a freshly baked 3 tracker called rotondo. thats also the track title of the a side. rotondo is techy and slightly dark. there you feel a constant pressure that will leeds you to euphoric pad which is just a simple saxophone screaming sample. on the b side we are getting into some naïve and housy feeling with on the road. then ideas are fishes is closing down the record on catchy vocal hook. that king of track to keep the party rolling. once again d julz delivers some great cuts that should be soon on rotondo everywhere

alejandro the argentinian fellow, also known for his monikas >funzion< and >e bridge<, released on lomidhigh, alphahouse and sushitech among others, presents us two energetic musical journeys for the meander imprint. this is warm and funky music, simply pure and rich in its dynamic, drive and groove. stunning and very ajejandros own style. the track selva introduces itsself with a temper didgeridoo eclecticism. followed by lush heavy sub basses with a dash of acid and wandering crispy sounds, his tricky rhythm programmings are blowing us away into dramatic dancefloorbliss. spiced up toms between high frequent synthesizers underline its constant presence. a melodic, organic and crafty piece of house music. on the flipside we have >pampa<. the obviously traditional south american influences of our talent merge with modernism, fluxion and frequency precision. an emotional trip that let somehow emerge images of dreamy landscapes while being still a dance orientated killer tune. with this record alejandro emphasizes his creativity as a standout producer for dense and powerfull creations

constant development in stagnating musical landscapes is the key to remain catchy as an artist these days. adrian martin & eleminal are always yearning for progress. >la calma<, their new release on miniload gives you a listen on their growing sophistication. an adroit beat conduction married to a sneaky bass giving birth to a tremendous and powerful musical moment, peppered with hidden hooks and a savory break. >la calma< is smoother than previous releases by adrian & eleminal without condemning a certain roughness of preceding collaborations. tom clark (highgrade records) follows that footprint, though adding a more frontal bass paired with a dreamy almost breathed on jazzy feel melody construction. miniload artists doppelt gemoppelt are redefining >la calma< in a straighter harmonization. no vanilla - just a clear and well structured body, adding cushy noises and warm imbedded waves.

palette recordings celebrates its 13 year anniversary with a release by the duo that started it all for the label. no giant mix compilation or collection of remixes, just another example of what has built the foundation of palette over the last 13 years. john tejada & arian leviste have been collaborating for over 18 years now. with this release the duo in a way come full circle, combining some of their oldest production techniques with newer ones. its been a long road for these 2 seeing styles and trends change, equipment and technology come and go over the years, but what has remained a constant is their vision of electronic music. >messenger< with its subtle intro of modular synths and rhythmic pads breaks out of its sinister drop full force into a multi dimensional crowd pleaser. the stabs continue to build energy while layered drum programming and modulating synth lines escalate the tracks energy. on the flip, >observer< continues with a fierce pace that harkens back to the days of palette 4, combining vintage synth stabs and drum machines recreating that classic vibe which is gaining such momentum again these days. the difference here is these guys were around at the time already releasing music that would garner them such high acclaim over the years.

world renowned bbc radio 1 dj gilles peterson compiles a spectacular collage mix tape from the vaults of far out recordings for this fifteenth anniversary celebration. a close friend to joe davis for 25 years, gilles peterson has been a constant supporter of the original and best uk based brazilian record label.

support from the worlds finest djs and artists such as pier bucci, argenis brito, butane, maetrik, gregory shiff, ambivalent, and id, barem, and noah pred.
this four-track vinyl is an absolute must have for those who love to play a chugging, driving style of minimal and techno. produced by barcelonas pablo bolivar, >looking for a shape<, pushes the depth and groove that he is known for, but in a more aggressive yet subtle way. the original doesnt allow one to breath with constant changes in percussion and amazing flow. his >phase two< track will annihilate the speakers in clubs with deep bass and is a sharp, tightly wound percussive masterpiece.
the remixes offered are by monkey brothers, who take a very different turn with the track and offer a soft vocal and is perfect for the dance-floor as it delivers a strong pop for those later in the night moments. finally, the last track on the record is hidden recordings owner deepak sharma + dieter krauses interpretation of the original. they have created a more slowed down, druggy, groovier version of the original. its not quite as smooth as the original and thats a good thing as the extra glitch is great for those who need more punch in their sets. there is something in this release for all kinds of djs.

marek bois is a constant element on the rrygular label carousel. since 2006 hes putting out new records on a regular basis. his first artist album boissche untiefen and the compulsory remix record in 2008 marked the climax of the project, so far. and to be honest he deserved a short break afterwards. the release of apples & oranges shows the new bois, purposeful as usual and even more punchy on top. marek bois ist eine feste größe auf dem rrygular labelkarussell. seit 2006 kommt in regelmäßigen abständen neues material von ihm. nach seinem ersten album boissche untiefen inklusive remixes in 2008 hat er es verdienterweise etwas ruhiger angehen lassen. mit apples & oranges kommt nun der neue bois, gewohnt zielsicher und obendrein noch schlagkräftiger als zuvor

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

this new collaboration between two of cadenzas finest talents makes its official debut on mobilee with black shoes, a cut that pops, crackles, and snaps like youd never believe. dance floor ready yet unwilling to sacrifice an explicit focus on the details, black shoes pulsates with bass while suggesting a kind of lightness as whispered and fragmented voices hiss and murmur in the background. the melodics, which give off the feel of being in constant flux, provide a nice contrast to the intensely regularized bass drum while simultaneously meshing with the popping percussion that guide the track along its course. breakdowns filled with the sounds of static and 8-bit provide a nice experimental touch to this track that works equally well as a late-night romp as it does on the headphones. b-side speech also gives off a stuttered feel but is even more blippy and fragmented than its counterpart while migrating towards a more jacking vibe. brito and toro compliment this fractured sound with extensive use of vocal samples—both spoken and sung—that, while incomprehensible, lock in seamlessly with the overall feel of the track. melody here references both vintage sounds and traditional minimalism with the end result being a fusion of the two that is truly extraordinary.

after the great success of >fine mouche piano-tango< (check feedback below) by french chanson legend brigitte fontaine and turkish belly dancer khan we are proud to present a bunch of hyper hip remix kids ready to send you into a groovy indian summer.
parisian dop, known for constant touring, vodka consuming, groupie eating, excellent remixing, and great music, immediately called our offices and offered a remix after hearing a promo of ims006. we are now proud to present one of dops greatest swinging house jacks so far.
norways rather shy and mysterious youngster tobii faxed in a request for the remix parts and delivered a stunning psychedelic deep-house anthem that will sure be part of your 2009 post-summer-vacation-trauma. let the leaves turn red and the disco ballshine!
p.s. we forgot to mention the very talented and handsome pianist boris bergmann, featured on all piano-tango versions.

4 track massacre from the mental torments label!! tracks by sepromatiq, flotek & mario kinle, salva trucha & bruce and tilthammer!!

sometimes a track is so hot it just has to come back around again. about ten years ago brett johnson and dave barker (stucco homes) wrote some unbelievably catching house tunes, one of them being temptation and lies. so it just seemed right to give this track yet another life. deadbeat and mike shannon dive deep into a stripped down techno groover, removing the constant use of the vocals and creating a rolling techno dub version. some seriously deep bass in the production that works the subs in all the right places. ernesto ferreyra and guillaume coutu dumont aka chic miniature give you a playful melodic version on the flip. full use of the original chord progressions, combined with the guys signature marimba/latin percussion leaving you with a lush, warm summer hit. then brett dives into the track again giving you the oohs and ahhs mix. a ten minutes work out with bjs patented groove focused on the vocal harmonies in the original. the result is a warped, spaced out, long player that is sure to twist a few heads. mental just about sums it up. of course we had to include the original masterpiece for those who didnt find it the first time round. a favorite of everyone involved on the remix project i think youll agree that the temptation and lies cynosure mixes do the original some justice.

one year after >happy meal<, his first 12 on ed banger records, the man behind the uffie project is back with a determinative second ep, >p*n*m*b<. five exclusive tracks mixing in a perfect alchemy the futuristic electro of >constant ovulation< with the freshness of >the bright side< and the techno touches of >age 21< and >liisborg error<, finishing with the groovy cut beat of >flashin< outro

the chile house connection continues to sling the dopest stuff to our floors, barely satisfying the constant craving of dancers and punters worldwide for the highly addictive mixture of salacious latin polyrhythmics and organic afro inspired drum sounds with universal electronic 4/4 beats. cut and wraped up neatly by chile born and fastly rising don felipe valenzuela and swiss expat dani casarano, this duo continues with this heated 3 tracker to further cement their reputation from earlier releases on fumalab as a highly combustible combination: elastic compulsively grooving house beats are intervowen with latin-american call and response vocals in >otra vida<, the fittingly titled >push< constantly builds up the pressure even in the breakdowns with frantic, flamenco style hand clapping and >the little house< with its disco style bassline and the conga driven beat hints at the fruitful marriage of latin, soul and dance music in the melting pot of 70s new york. muy rico!!

a: the flight: the deadly combination of rune and sydenham who brought you the classic >elephant< are at it again. >the flight< is a tech house delight. futuristic beats combined with old school snares and rhythms and a subtle hypnotic vocal will draw you in. the simple organ stabs glue everything together. a damn fine track that will surely cross genres. b: the >crossing< is a humping dubby deep techno monster. the bold bass line drives forward while the fanatic efx put you over the edge. the rhythms are constant are the results are deeply satisfying.

apendics.shuffle’s elegance & malice ep has been reworked by two great talent’s the master of minimalism thomas melchior & ransom note’s adultnapper, both artists have expressed there interpretations to the highest order. adultnapper has taken a darker path, raw & steady drums keep you grounded whilst disassembled voices and eary strings make you realize things are going to get weird. there is a constant hook in the background that sounds like the noise of a sleeping monster but as it gets louder you know it’s about to wake and it does, throwing you backwards in a totally different direction. melchior’s remix takes you on a different journey one that you never want to end. lush melodic sound’s and stunning percussion with deep soulful vocals keep growing and growing drawing you ever nearer all the time never letting you go.

remain 006, kudos e.p., is a 2 tracker treat coming from two artists that have become an irresistible duo to any techno dj out there. remain records proudly welcomes the advent, one of the front runners of techno, and his partner in crime, industrialyzer. their collaboration is one of the hottest things around and their work is in constant demand. apart from releasing their tracks in their respective labels, kombination research and codeworks, the advent and industrialyzer have had successful releases in labels, including drumcode, bush records, mb elektronics and many more.
on the main side, focuspocus is a pure anthem that is totally unpredictable! it is guaranteed to be the track of choice for the springsummer season and for a long time from now! a brilliantly solid track with evocative melodies spread throughout, utterly powerful cuts and kicks and absolutely dreamy loops that will get dancefloors on fire!the title track, kudos, on the remain side is equally powerful, yet so different.. a highly rhythmic track that keeps escalating until it reaches the.. boiling point! as you get into it, it becomes cheeky and playful with some ingenious pointcuts that leave you stunned for a single second until the next wave of radio-rich sounds and percussion mixture hits back! nuff said. enjoy!

beeing together in the studio for a while - here s the results: take me to mabayi features a nine minute ecstating ride - accentuated by a pulsating, hypnotic, rhythmic and gradually building melody and compelling breakdown. 100% sure with ricardo villalobos, loco dice, mathias kaden. la trutruka - golden version combine emotive slackin house beats with synthesizer washes and constant, rolling rhythmic underlay, straight and right down to the last detail with the la trutruka riff - for those who knows and some vocal samples. these are three small dissertations that connect rhythm based house-paced hills with modern dance music and experiments with synthetic song structures

mad decents relationship with jaimie fanatic began with the monster >whats happening to ya<, a track that diplo has been smashing in his sets for the better part of 6 months. following constant play from some of the biggest artists in the electronic music community, its time to release this beast to the public!!

pong musiq has whipped up something special again, stands for the new generation of amazing barcelona producers, sistema (manuel ruiz), many years has been producing, dj and the owner of the label neue lõrmklassiker. while his live shows have won his fans around europe, for this second release, >lenceria barata< he eplores the techno dub territories! complexity and simplicity are addressed in equal measure here, easy to find traces of people like quantec, maurizio, intrusion, echospace but with the melodic charge that always manel introduce in his productions. it s hard not to get excited listening to this brilliant masterpiece. >ropa exterior<, a highly infectious mix of motor city strings, is built to move. clever tool track that will once again find its way into deep sounds, basslines, rhythms in constant movement that keep you dancing. heavy approach which will fit well across the board as its paranoid, edgy atmospheres and body shaking grooves dominate the floor.also in additional production we can find dosem! marc started performing as a live act under the name ædosemÆ. in a short time, his popularity grew strong amongst the spanish scene, he signed his first artist deal with high profile hong kong based label, sino, which previously revealed key figures of the electronic music scene, in the name of joris voorn and technasia. his remix is just a bomb to the dancefloor! >abanderado< , plus digital track for this release. idm and tech dub fusion perfectly to finish this amazing release of sistema.

carl craigs creation of angel found its way onto the second installment of darkness, released 2005. observers of carls music declares this era to have been the strongest material since earlier tempered psyche / bfc classics. now reborn by the crafting hands of jerome sydenham and detroit native keith kemp, we enthusiastically introduceà guilty pleasures debut release, carl craig - angel remixes --- jerome sydenham: born and raised in ibadan, nigeria to an english father and jamaican mother, he was schooled in his teens in england before migrating to new york city in the early 80s. sydenhams work today is largely influenced by the cultural diversity of his upbringing and has echoes of a musical history that spans indigenous african and contemporary western music. during the mid 80s he became involved in the underground dance music scene both as a dj and a promoter. in 1986 he threw a successful weekly party in philadelphia and by 1987 he had a residency at the legendary nells in nyc. --- keith kemp: keith kemp has been a dj in and around the detroit area for the last 10 years, primarily focused on fusing fragmented bits of the detroit techno blueprint all over the dance floor. through various residencies, dj sets, and live performances, he has been on a constant personal journey within electronic music ranging from performing at the detroit electronic music festival to movie scores and sound design. since 2001, keith has found himself involved with the operations of the ferrispark record label as well as several releases on various detroit labels reaching all corners of the world. as a life-long connoisseur of music, his dj sets can range from glitch funk, industrial, hip-hop and jungle

los angeles is a hot bed of underground techno and killer all night parties. at the center of all of this is the duo of acid circus (droid behavior), who control much of the movements sonically and at the events.the brothers >v< inspire this tora release with heavy influence from venetian snares (ie. see title).the main cut throbs with a hypnotic vocal chant and incredible bass. both a dj tool and dance magnet. >dark wave< continues this approach this time with chilling reverb attacks and more bass. label head dietrich schoenemann strips it back to almost a constant loop and still manages to sneak more bass in.

limited vinyl edition of the black dog s new album on soma quality recordings. each of the 500 copies is hand numbered and screen printed by the artists. 3 x 180g heavyweight vinyl. the black dog are without a doubt one of the hardest working acts in electronic music. no sooner have they released one of 2008s best albums in >radio scarecrow< and the massive 12 inch >detroit vs. sheffield< which featured two remixes from detroit minimal grandmaster robert hood, they now prepare for their next album release. >further vexations< is a real successor to >radio scarecrow<. the thinking behind the predecessor is still very evident with even more bite, but theres something about the new album that lends itself to the dark club atmosphere. perhaps the recent bout of constant gigging has had its effect on the act because this one is going to be tearing up floors around the world on its release. >further vexations< might have taken half the time to create but still manages to maintain the same degree of meticulous detail and attention as its predecessor, and is a complete package of tracks demanding to be listened to from start to finish. >further vexations< looks to rouse the sort of political attitudes that have been sorely missing from electronic music since raves backlash against the criminal justice act in the 90s.